The exhibition also features about 40 paintings and photographs, including "Eeyore and the Snake," a Walt Disney Co. Mattel Inc.'s Barbie blurs boundaries between classical and grotesque, say the exhibition notes: "With long legs, a tiny waist, large breasts and blonde hair, Barbie's proportions have become cliché for an idealized and physically unobtainable female body." Potato Head, for example, demonstrates the potential for amusement in manipulating and distorting the human form and shows that children's toys can find a place in art. We found it much more effective to think deeply about each piece and understand why we wanted to include it," Perlmutter said.Įlizabeth Emrich, curatorial assistant at the museum, believes the show's success stems partly from the wide range of objects on display. "It was often tempting to put a colorful work by a big-name artist in the show, even if the work didn't match the theoretical framework of the exhibition exactly. Sammy Perlmutter '10 said the most challenging part of curating the exhibition was ensuring that they were being true to the show's theme while selecting visually stimulating pieces. "By exploring two terms - 'classical' and 'grotesque' - in relation to the body, we were hoping to open up and expand on their definitions," she said. Laurel Garber '10, the society's president, said the students wanted viewers to consider how they perceive, understand and define their bodies. ![]() "Bodies Unbound" is the work of 17 undergraduate members of the History of Art Majors' Society. Ugly, beautiful, strange and familiar bodies urge visitors to rethink their perception of human physicality at the student-curated exhibition "Bodies Unbound: The Classical and Grotesque," on view now through June 13 at the Herbert F.
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